I’ve noticed that in winter, pieces of outside come in –
willing contraband in mourning arms.
There are rocks on the kitchen windowsill,
fossils in the bookcase,
a bulky basket of cord wood hunkered at the hearth,
and a tall twig standing sentinel in a corner of the dining room.
There is a piece of bark tucked behind the weft in my weaving
and a clam shell full of translucent sea discs on the dresser shelf.
Nearly every jacket in the closet has a rock in its pocket.
A fist full of craggy eucalyptus – remnant from a fall arrangement – stretches from a vase on the kitchen table,
and seedy thistle stalks poke from a jug on the wood box.
Winter is not a favored season but
it’s not so much the weather,
it’s that walls are so necessary then.
Come spring and summer – when confines disappear and outside floats in again
on its own breezy merit
through open windows and doors
to soothe the eyes as a vase of flowers
or drift toward ears as cicada choruses
or tease the nose as fresh cut grass,
well then
there is no want for outside in.
We’ll be inside out.

This is a powerful chain of images, each with profound symbolic meaning. At the end, you reassert a familiar term with renewed significance. This is true art.
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Thank you, Paul. I hold your opinion in very high regard.
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I loved this! Especially, “when confines disappear and outside floats in again.” I also loved the part about rocks in every winter coat.
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Thank you. It’s true – the rock part. I didn’t think anything of it until my husband commented on it, and then I realized that I guess everybody doesn’t do that – keep rocks and shells in their pockets.
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I loved the jackets with rocks in every pocket. The stories you told here!
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